<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Taylor, Clare J</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">&lt;em&gt;BJGP&lt;/em&gt; Library: &lt;em&gt;The Girl On The Train&lt;/em&gt;</style></title><secondary-title><style face="normal" font="default" size="100%">British Journal of General Practice</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2015</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2015-12-01 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">659-659</style></pages><doi><style  face="normal" font="default" size="100%">10.3399/bjgp15X688009</style></doi><volume><style face="normal" font="default" size="100%">65</style></volume><issue><style face="normal" font="default" size="100%">641</style></issue><abstract><style  face="normal" font="default" size="100%">The Girl On The Train Paula Hawkins Doubleday, 2015, HB, 320pp, £12.99 978-10857522313We have all travelled on a train and stared, often absent-mindedly, out of the window. The trains in and out of London pass Victorian terraced houses which, at first glance, might all seem pretty similar. But imagine travelling the same journey every day as a commuter to and from work in the city. You might already do this? Those houses, if you look, are all different with often visible evidence of the lives of the strangers who are inside, behind the old brick work and sash windows, and outside in the gardens running down to the railway line. The train allows a glimpse into the unknown world of the people who live beside the track, from …</style></abstract></record></records></xml>